Building custom home-java
07.03 | Author: Kamandaka

In the Java community, both as a cemetery, and subject palace servant, although not in writing, tradisinal not allowed in violation of the regulation-social society. For example, governance etiquette, behavior, lifestyles, ways of association and households are included in the rules and made hierarkis.

In social interaction, for example, a palace servant often find it difficult to be able to mingle freely and directly with the cemetery or a palace servant tinggkat high. On the other side of the cemetery and the palace servant often act to maintain and enhance self-discipline in a strict social stratification.

In the atmosphere of feudal life, as king, for example, does not build dbenarkan households (dhatulaya, palace) using up to my sinom Sasana Prabasuyasa. Build limasan or Joglo or village but otherwise use to build my sinom Sasana Prabasuyasa. Build limasan or Joglo but only to complement the building, for example, offices, meetings, equipment, Straits and the like. For the noble class (aristocratic palace cemetery) and a certain degree palace servant has the right to make a house where lives with a form of limasan, sinom, or Joglo. Meanwhile, to complement the building can house up to make the other a lower rate, for example daragepak, sethong, kalabang nyander, and sebagianya (Narpawandawa, 1935:91-94).

Rules are based on the social position of the owner who is a symbol for the landlord class ststus king, jogiswara, palace servant and the cemetery, including the strata of the palace. The group is regarded as the ruler of the class and even holy, the building houses must forge its holy buildings; high (such as the sacred mountain); large (such as a world wide); sectional divider such as temples, shrines sacred buildings enjoy other (no-place profan place, sacred and the most sacred). The shape of the building houses the palace dikompleks (dhatulaya) within certain limits can rest by the cemetery and the palace servant, but forbidden subject for the palace.
We know that the basic building traditional houses there are five kinds of Java, namely: stage pe, villages, limasan, Joglo and tajug. However, in the development, the type developed into various types of traditional Javanese houses, only buildings still remain essentially the basic building figured that the five (Narpawandawa, 1937-1938).

In building traditional houses in Java is determined the size, condition of home care, the framework, and rooms in the house and the situation around the house, which is associated with the status of their owners. In addition, social background, religion, and participate in role. In order to obtain peace, welfare, prosperity, the house before making di'petang '(calculated) on the first time, location, direction, print the main door of the house, yard letang door, kernagka house, size and bengunan home that will be created, and so forth. In the atmosphere of trust the public life of Java, each will make a new home, do not forget the offerings, namely bensa-specific objects that are presented to the body smooth, danghyang village, kumulan village and so forth, so that business development in the new house is to obtain safety (R. Tanaya, 1984:66-78).
In further development, building traditional houses of Java developed in accordance with the progress. Based on the review of changes ceiling, the building is the home of Java as the following customary.

Building model / Stage Pe in the form of its development, there are buildings Stage Pe (Epe), Gedong Selirang, Stage Pe Gedong Setangkep, Cere Gancet, Empyak Setangkep, Trajumas, Barongan, and so forth. From building houses the village evolved into a building housing the village, hoe Gowang, Srotong, Daragepak, Klabang Nyander, Teplok Symbol, Symbol Teplok Semar Tinandhu, Elephant Jerum, Cere Gancet Semar Tinnadhu, Cere Gancet Semar Pinondhong, and so forth.
Limasan
Joglo
House building Limasan from developing into a house Limasan typical day, Ngombe Elephant, Elephant Jerum, Klabag Nyonder, Tiger Jerum, Trajrumas, Trajrumas typical day, clamp, Gowang hoe, it Elephant, Cere Goncet, clamp tongs, Symbol Teplok Semar Tinandhu, Trajrumas Rambang Gantung , Sexual, Sinom Symbol Gantung frame Usuk Ngambang, and so forth. From the development of building houses Joglo is building a house Joglo, Joglo Limasan Joglo typical day or typical day, Joglo Sinom, Joglo Jampongan, Joglo Pangrawit, my Joglo, Joglo Wedeng, Joglo Tinandhu Semar, and so forth. Tajug types of defects in the building is home tajug (for a house of worship), tajug symbol teplok typical day, tajug Semar tinandhu, tajug symbol hanging tajug Semar sinonsong symbol hanging, hanging tajug symbol, tajug Semar sinonsong lambnag tramway, tajug my, tajug ceblakan , And others (Narpawandawa 1936-1936).

Besides building houses the form of raw materials, the building is still home to the agreement (the meeting), the house where the rice (barn) or animals (pen, gedhongan, stable), for equipment (warehouse) and others (Gatut Murdiatmo, 1979 / 1980; Koentjaraningrat, 1971; Narpawandawa almanac, 1935-1938; Sugiyanto Dakung, 1982/1982; Radjiman, 1986.

Composition Environment and Housing Shelter

That meant the composition of the house is the order of the printing and other buildings to residential houses (the parent). While the definition of the environment here is the home place of residence and houses, complete with susunannya governance in a household of a family

In the Java community, the structure of the house in a household consists of several houses. In addition to households (the parent), the place to sleep, rest family members, there are other houses that are used for purposes other missionary families. Building the house consists of: pendhapa, located in front of the home residence, used to receive guests. Back home (omah Buri) is used for households, in the back of the house with Pendapa pringgitan there. Pringgitan is a place used for staging puppet show skin, when has the work (wedding, khitanan, and so forth). In the guest performances of men placed in Pendapa, delegates are women placed in the back of the house. Ordering the house so similar to the structure of the palace of Hindu houses of Java, such as the Palace of Queen Boko near Prambanan.

For the citizens of the general public (subject palace) is capable, in addition to building the house, where live (home) are equipped with the other buildings, eg barn, where the rice and other crops. Usually located on the left or right Pringgitan. It's quite far apart. Kitchen (pawon) is located in the left back home (omah Buri), where cooking. Mortar, pound home the place of rice. Located on the left side or right behind the house (generally located in the back). Sometimes there is a mortar, located in the front right side Pendapa. Enclosure, where the animals (cattle, buffalo, horse, goat, goose, duck, chicken, and so forth). For large-called pen, for poultry, there is a sarong (chicken), stable (duck, goose); gedhongan called for the horse. Nests can be found in the left Pendapa, but there are also placed in front pendhapa One of the pages with a wide. Gedhongan usually connect to the left or the right to kandhang. Are stable or sarong to the left is quite far from pendhapa.

Sometimes there is a balcony, is building a small house, usually placed right beside the Pendapa quite far apart. Ventilation for the village officials can be used for patrolling or larag headquarters, and also a relaxing place to find fresh air from the owner. Then there are dryer building, which is called pot, a small house is placed beside the kitchen or the back side of the left or right back home. Similarly, the place to defecate / small bathroom and opened their own houses. Usually the toilet to be placed quite far apart with a kitchen, back home, wells and pendhapa. Entrance yards often made Regol.

So little variation traditional houses built of Java for a complete family. This depends on the ability of the family. The complete complex of houses where people live Java is what music is back home, pringgitan, Pendapa, gadhok (where the waitress), barn, kandhang, gedhogan, kitchen, pringgitan, topengan, porch, shed, and so forth. Large and small types of buildings are made according to taste and social status should be remembered owner in the community.

Java community based on social position, territorial, communal, and religious. Basic is in the process of formation of the Java community will be radiated in the basic characteristics of the Java community remains their content and their lestarikan presence in the view of the world exists today. View of the world as a whole is intended keyakina descriptive facts about a unity between the natural, social, natural and supernatural, from the man gave a structure for a meaningful experience.

For Java, both as individuals and members of the community, reality is not divided, for a fragmentary and without contact with one another sam, but he views as a comprehensive one.

For people bred the world community and the world unseen, or the world is not Adi Kodrati three areas that stand alone, and each has its own legal, but it is a unity of experience. At the bottom, the Java does not distinguish between the attitudes of religious or not religious and social interaction, the interaction of religious, but but the third is a translation of Java on human attitudes to nature, such as natural attitude that has social relevance. Here between work, interaction, prayer and there is no intrinsic difference (Mulder, 1975:36).

Measured view of the world anti-people Java is the value of pragmatism or kemanfaatannya to achieve a happy, peaceful and balanced between birth and the inner world of here with the world there. Therefore, when we discuss the views of the Java world is not limited to the field of religion, beliefs and myths, but also agricultural systems, celebration exhibition, the family life of Java, Javanese art and culture, system and living environment where they live.

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Batik Indonesia
06.44 | Author: Kamandaka

Perhaps the word batik comes from the Javanese term Ngembat point, which means the fill point. However, in the development, batik thus have been patented in many countries, while Indonesia as the heir to the kebudyaan can only nibble finger. Currently, batik has been patented in Malaysia, Singapore, and Thailand.

Based on the research of the historian and anthropologist, batik has been known since before the archipelago in the Indian culture that brought the pedagangnya, incoming. Historically, batik related closely with the Kingdom of Majapahit Kingdom and other Islamic. Shouteast in Asia in the Age of Commerce essay Prof. Anthony Reid, Java, batik cloth woven together with boxes of Selayar Bugis, is a response angsung people from the pressure of poverty in the archipelago. Previously, the nations of Southeast Asia living in the more prosperous coastal elatif. Therefore happy to buy their silk fabrics from China and the fine cloth from India. Economic devastation of indigenous people in coastal areas by western colonialism, indigenous people forced to provide a rough cloth. Among other batik be woven in the coastal areas to inland.

The evolution of batik cloth, finally fit together closely with the various relationships that increasingly memendarkan quality batik itself. When the Palace as the representative of civilization indigenous batiks as precious works of art that noble, then digarap batik patterns with a more subtle and complex. The artists Palace and construct various Batik motifs to meet the needs of clothing peerage in order to perform ceremonies at the Palace.

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Polemic development Boutique Hotel and The Mall in the area Benteng Vastenburg has invited the attention of various people. Comments and opinions continued, starting from the general public, cultural, historians, politicians, advocates, academics and others.

And agree that there are some who reject categorically.
In this, a number of cultural organizations and community leaders, Solo, Thursday (6 / 11) afternoon, gathered at the house one of the leaders Kedunglumbu, Kliwon Market, HM Sungkar. Among them visible Chairman of the Board of Arts Surakarta (DKS), Murtidjono, Chairman of the National Forum, Rusharjanto, cultural Solo Soedarmono, Ardus M Sawega, Gopal Tolani, Agus Anwari, a number of members of Forum 28, Ali Sjaifullah, HM Sungkar, and a number of other leaders.
In the guest room house they sit together equate vision and mission of views about the polemic The Vastenburg, membahasnya from the legal, political and historic fortress is. They finally agreed to a community called the Community Care Bintuni Culture of the archipelago.
The main purpose of the area to save their Benteng Vastenburg. One of the ways that will be done with the return merebutnya Various methods and strategies they intended to take over the travel Vastenburg Benteng, which automatically will torpedo the plan establishment Boutique Hotel and shopping center in the area and preserve the culture.
In addition, they agree how feelings of historical nations have dicederai with Vastenburg The switch of ownership into the hands of individuals. The existence of the development plan Boutique Hotel and shopping center in the area and preserve the culture of the increase in the wound.
"This is a bad precedent that the assets owned by the public is free owned by the private sector and individuals and will be treated free," said Rusharjanto.
UNS cultural historian at the same time, Soedarmono add a stronghold of 300 relics of colonial era in Indonesia, citadel there is only one owned by the private sector, namely The Vastenburg. The remaining 299 as a fortress museum collections. "It is very sad and feel the government should be worried by the fact that," said Soedarmono.
Meanwhile, Ardus M Sawega more to highlight the recommendations issued Ancient Relics Conservation Center (BP3) related to the plan of Central Java Boutique Hotel and analysis of the team that conducted the analysis on the impact on the environment (EIA) is the hotel. According to Ardus, recommendations BP3 very vague.
"As noted by the head of the archeological team of technical study Benteng Vastenburg from BP3, Respati, in a meeting in Loji Gandrung Monday (3 / 11) and then, that BP3 only respond to what the proposed investors," said Ardus.
This means, connect Ardus, BP3 only to the interests of investors, not in the interests of instansinya, which should have the authority to protect the objects preserve culture. In addition, Ardus said that the recommendations given BP3 also signs the form-only signs. It is said that the study of the technical terms of archeological fortress is not yet final.
"In this case, both the study done by the teams AMDAL and BP3, is not offensive side of the historic area," he added.
On a separate, historians UNS Solo Tunjung W Sutirto add, the Center for Environmental Studies UNS been doing research on the fortress and is providing recommendations to the municipal government Solo. In the recommendation, the blogosphere, still refuse occurrence of destruction of the culture of the area wildlife, including the appropriation for the business function

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